The State Ballet Theatre of Russia
Press Material

 

“…Compagnia di Voronezh, in particolare per il repertono classico-accademico cui essa e fedele e per l'accuratezza e serieta della preparazione dei suoi ballerini, tuffi danzatori di offima scuola e di buon livello…”

Tino Dalla Valle, Ii Messaggero, 1993

Appalausi Lunghissimi e scroscianti per Tatiana Frolova nel ruolo della principessa Aurora… una giovane ballerina flessuosa, musicale, perfetta sia nei gin sia nei salti. Non a caso Ia grande Maximova, principale interprete di Aurora, disse vedendola in quei panni che Ia Frolova sembrava nata apposta per quel ruoloi.

Andrea di Nicola, II Tempo, 1993

“Enchanting from start to finish, the State Ballet Theatre of Russia managed to bring a tear to my eye… The whole performance was executed with ultimate precision which saw not a step out of place, allowing the audience to suspend disbelief and be transported to fairyland”.

Andrea Goddard, Chronicle & Echo Northhampton, 1994

“Wunderbar deimonstnert diese Compagnie, OdaB das Corps de ballet bei den Russen gleichberechtigt ist mit den Solisten”

Miffeibayerische Zeitung, 1998

“The essential ingredients of fine dancing and some interesting choreography are there.” “An enterprising impresario, prepared to spend money on decor and costumes… might find in this company a winner. “The company could boast two ballerinas of very different style, Alexandra Alimova… and Tatiana Frolova…” “They have some excellent character dancers and a fair standard of male dancing…”

Mary Clarke, “Dancing Times”, London, England, 1998

Das Deutsche Theater hat… eme Perle [Qiselle] der russischen Ballet-Kultur prasentiert… Tatiana Frolova ist nicht nur die erste in Voronezh, sondern eme Weltklasse Ballerina. Und die Gruppen- und Solo-Variationen wirkten “alter”, authentiseher als zum Beispiel die der Munchner Fassung von Peter Wright”.

Malve Gradinger, Munchner Stadtanzeiger, 2002

Hailed by the New York Times as a production “….full of enchantment'” with “lovely scenery” and “graceful costumes”

New York Times, 2007

 
 
 
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